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It took him a while to kind of get his head around, a) what a podcast was, and b) how successful it s been. When people like Elijah Wood came on the show he well I think we all realized the scope of the show and quite how far it s come. Because when we record, it s such an intimate thing. We don t really think about who s going to be listening to it or where they re going to be listening to it. We just focus on what we re making. But it s nice to realize people are enjoying it all over the place. You ve had Daisy Ridley, Elijah Wood, Michael Sheen and recently Mara Wilson on the show s spinoff, Footnotes. Is there a long queue of talent lining up to appear. Cooper: We ve got a couple more lined up. http://tubetria.mobi We really like just dropping them and not announcing that they re happening until they come out. Until they actually turn up at our front door, we never know that it s going to happen. There s definitely some that have come out of the woodwork recently that we re really excited about. Levine: Can we give a clue one of them is an Academy Award winner. Do they get in touch directly or is it via their publicists. Cooper: No, I don t think a publicist would go near our show! It s very much them working on their own. A lot of times they ve reached out to us on social media or people that they know do and say, just so you know x is quite a big fan and we pick it up from there. But that s what s been so nice about the show it is very organic the way that we get people on. Daisy Ridley turned up to James flat with two bottles of Prosecco and said, I am so excited, let s do this. It is that kind of relaxed.
And I think that s why they do it. If it was a bit more produced they d probably be more wary. Didn t Michael Sheen stick around until 1 a. m. Morton: We couldn t get rid of Michael. We literally had to ask him to leave. He had our food and drink and we were like, you really need to go, we ve got work tomorrow, mate. Have any pulled out after checking with their publicists and been told that this isn t suitable for their image. Cooper: Not yet. And if Daisy Ridley can come on after being in the biggest Disney film, I think we re alright. Have you been approached about making a film? Seems perfect material given that you ve already got such a big fan base. Cooper: We ve had really exciting conversations actually. I guess like anything it s about how we go about adapting someone like this to a different medium. And to be completely honest, from the beginning we had really exciting chats with film people and it s certainly something we re looking into. But the show is doing so well as a podcast and we feel like we re really in the middle of a resurgence of the medium of podcasts. And being a part of that evolution has been really exciting. So I think at the minute we re really focused on making the show the best that it could be. Yes, we re definitely exploring options down the line, but are just very much enjoying being podcasters at the minute. What sort of ideas came your way? How would you adapt Belinda Blinks for screen. Morton: Many, many ideas! Some people were just saying, let s just literally make Belinda Blinks: The Movie. Let s get Tommy Wiseau on. How amazing would that be. Levine: Rocky would probably really love that route. Cooper: And Thomas Middleditch, from Silicon Valley . who came on last year he messaged us recently saying, guys, we should really seriously start to think about a movie, all these people want to be in it. We should do it. Levine: People get territorial too, like, that s my role, but I d still like to audition for it. And we re saying: guys, it s a joke, you need to calm down. Or people are like, I just don t think it s fair that just because they were on first I d read for it. Is this in jest or not. Who did Michael Sheen want to go for. Cooper: Actually Michael Sheen and Thomas Middleditch both wanted Dr Robbins from season two, the slightly creepy Dutch man. I don t think we ever settled who finally got the role. Levine: There s a rivalry now there. Any idea who could play the lead? Daisy is probably a bit young. Levine: She wants to be the Duchess. Cooper: So she can have that role. Nobody has really gone for Belinda. Levine: It s the role of a lifetime. Quite literally it would probably be the last role that you ever have. My Dad Wrote A Porno Live. The smash-hit podcast, live on stage. With more than 50 million downloads, My Dad Wrote A Porno has become the #1 podcast around the world, from the UK to Australia. In this live incarnation of the popular series, Jamie Morton reads out chapters from the erotic books his 60-year-old Dad has written, joined by his friends James Cooper and Alice Levine. Audiences will also have the opportunity to hear the trio opening a brand-new chapter that you can only hear live. My Dad Wrote A Porno' is hilarious. - Elijah Wood Tea-spittingly funny. It's in a class of its own. Rightly a sensation. - The Guardian One of the breakout comedy hits of the year. - The Daily Telegraph UK. >' data-title=' Image Caption >>' class="responsive-img img-holder. >' title=' Image Caption. Alice, Jamie, and James. Make the most of your experience. Tickets and Prepaid Food Beverage. Add a drinks voucher or drinks with a cheese platter to your purchase and redeem it at any of the foyer bars inside the Opera House – perfect for a pre-show or interval refreshment. Tickets and Tour Tasting Plate. Before the show, allow our guides to share the story and inner workings of the Opera House, and then indulge in a three-tiered tasting plate for two at Opera Kitchen before heading into the theatre. Support your Opera House. Montreal Festival. My Dad Wrote a Porno.
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